Henry heads
Henry heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Malabar
Malabar

Bush shots

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

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Ron Burgundy
Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Ron Burgundy
Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Ron Burgundy
Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Ron Burgundy
Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs
Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs
Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs
Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs
Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Tickle me pink
Tickle me pink

Acrylic on carved timber form, matte varnished

330mm x 380mm x 260mm

Sold

Tickle me pink
Tickle me pink

Acrylic on carved timber form, matte varnished

330mm x 380mm x 260mm

Sold

Tickle me pink
Tickle me pink

Acrylic on carved timber form, matte varnished

330mm x 380mm x 260mm

Sold

Swamped
Swamped

Acrylic on carved timber form, matte varnished

500mm x 550mm x 250mm

Available for purchase see shop or email for enquiries.

Swamped
Swamped

Acrylic on carved timber form, matte varnished

500mm x 550mm x 250mm

Available for purchase see shop or email for enquiries

Hot stuff
Hot stuff

Acrylic on carved timber form, matte varnished

400mm x 470mm x 200mm

Available for purchase see shop or email for enquiries

Hot stuff
Hot stuff

Acrylic on carved timber form, matte varnished

400mm x 470mm x 200mm

Available for purchase see shop or email for enquiries

Hot stuff
Hot stuff

Acrylic on carved timber form, matte varnished

400mm x 470mm x 200mm

Available for purchase see shop or email for enquiries

Top heavy
Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy
Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy
Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy
Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy
Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes
Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes
Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes
Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes
Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Blue
Blue

360mm x 250mm x 650mm

Acrylic on carved timber form, matte varnished

Sold

Blue
Blue

360mm x 250mm x 650mm

Acrylic on carved timber form, matte varnished

Sold

Untitled
Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled
Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled
Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled
Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

A cock or two
A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

A cock or two
A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

A cock or two
A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

A cock or two
A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

Untitled
Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled
Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled
Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled
Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Sculpture study
Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Sculpture study
Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Sculpture study
Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Sculpture study
Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Skull paw
Skull paw

400mm x 600mm x 700mm

Acrylic on carved timber form, matte varnished

Sold

Skull paw
Skull paw

400mm x 600mm x 700mm

Acrylic on carved timber form, matte varnished

Sold

Splashback
Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Splashback
Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Splashback
Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Splashback
Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Big Squig
Big Squig
Big Squig
Big Squig
Big Squig
Big Squig

Acrylic on carved plywood form, Matt varnished.

1400mm x 1450mm x 300m

Big Squig
Big Squig

Acrylic on carved plywood form, Matt varnished.

1400mm x 1450mm x 300m

Pedestrian
Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian
Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian
Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian
Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian
Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Cadmium orange
Cadmium orange

Acrylic on carved timber form, matte varnished

650mm x 400mm x 350mm

Cadmium orange
Cadmium orange

Acrylic on carved timber form, matte varnished

650mm x 400mm x 350mm

Cadmium orange
Cadmium orange

Acrylic on carved timber form, matte varnished

650mm x 400mm x 350mm

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Dream on
Dream on

350mm x 650mm x 350mm

Acrylic on carved timber form, matte varnished

Dream on
Dream on

350mm x 650mm x 350mm

Acrylic on carved timber form, matte varnished

Dream on
Dream on

Acrylic on carved timber form, matte varnished

350mm x 650mm x 350mm

Shelving
Shelving

Acrylic on carved timber form, matte varnished

460mm x 400mm x 200mm

Shelving
Shelving

Acrylic on carved timber form, matte varnished

460mm x 400mm x 200mm

IMG_2351.JPG
Trojan
Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Trojan
Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Trojan
Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Trojan
Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Henry heads
Henry heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Malabar
Malabar

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Malabar
Malabar

Bush shots

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads
Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut

Grassy

1150mm x 1000mm x 12mm

Acrylic on carved timber board, matte varnished

A wall relief made and photographed in Tasmania. This work is made from the leftover material from some sculptures I've been laminating together.

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut

On the way to the Franklin River

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut

Workshop shots

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut

Progress shots

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut

Entwine

1250mm x 1600mm x 12mm

Acrylic on carved timber board, matte varnished

A wall relief made and photographed in Tasmania. This work is made from the leftover material from some sculptures I've been laminating together.

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Henry heads
Malabar
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Henry Heads
IMG_5209.JPG
IMG_5201.JPG
IMG_5225.JPG
IMG_5228.JPG
IMG_5217.JPG
IMG_5208.JPG
IMG_5187.JPG
IMG_5182.JPG
Ron Burgundy
Ron Burgundy
Ron Burgundy
Ron Burgundy
Icebergs
Icebergs
Icebergs
Icebergs
Tickle me pink
Tickle me pink
Tickle me pink
Swamped
Swamped
Hot stuff
Hot stuff
Hot stuff
Top heavy
Top heavy
Top heavy
Top heavy
Top heavy
Tasty cakes
Tasty cakes
Tasty cakes
Tasty cakes
Blue
Blue
Untitled
Untitled
Untitled
Untitled
A cock or two
A cock or two
A cock or two
A cock or two
Untitled
Untitled
Untitled
Untitled
Sculpture study
Sculpture study
Sculpture study
Sculpture study
Skull paw
Skull paw
Splashback
Splashback
Splashback
Splashback
Big Squig
Big Squig
Big Squig
Big Squig
Pedestrian
Pedestrian
Pedestrian
Pedestrian
Pedestrian
Cadmium orange
Cadmium orange
Cadmium orange
IMG_2256.JPG
Dream on
Dream on
Dream on
Shelving
Shelving
IMG_2351.JPG
Trojan
Trojan
Trojan
Trojan
Henry heads
Henry Heads
Malabar
Malabar
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Henry Heads
Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut
Artist Residency: The Pickers Hut
Henry heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Malabar

Bush shots

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Ron Burgundy

850mm x 600mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Tickle me pink

Acrylic on carved timber form, matte varnished

330mm x 380mm x 260mm

Sold

Tickle me pink

Acrylic on carved timber form, matte varnished

330mm x 380mm x 260mm

Sold

Tickle me pink

Acrylic on carved timber form, matte varnished

330mm x 380mm x 260mm

Sold

Swamped

Acrylic on carved timber form, matte varnished

500mm x 550mm x 250mm

Available for purchase see shop or email for enquiries.

Swamped

Acrylic on carved timber form, matte varnished

500mm x 550mm x 250mm

Available for purchase see shop or email for enquiries

Hot stuff

Acrylic on carved timber form, matte varnished

400mm x 470mm x 200mm

Available for purchase see shop or email for enquiries

Hot stuff

Acrylic on carved timber form, matte varnished

400mm x 470mm x 200mm

Available for purchase see shop or email for enquiries

Hot stuff

Acrylic on carved timber form, matte varnished

400mm x 470mm x 200mm

Available for purchase see shop or email for enquiries

Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Top heavy

1900mm x 800mm x 600mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Tasty cakes

600mm x 600mm x 720mm

Acrylic on carved timber form, matte varnished

Sold

Blue

360mm x 250mm x 650mm

Acrylic on carved timber form, matte varnished

Sold

Blue

360mm x 250mm x 650mm

Acrylic on carved timber form, matte varnished

Sold

Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled

950mm x 450mm x 250mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

A cock or two

250mm x 450mm x 680mm

Acrylic on carved timber form, matte varnished

Sold

Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Untitled

750mm x 200mm x 500mm

Acrylic on carved timber form, matte varnished

Available for purchase see shop or email for enquiries

Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Sculpture study

200mm x 200mm x 400mm

Acrylic on carved timber form, matte varnished

Sold

Skull paw

400mm x 600mm x 700mm

Acrylic on carved timber form, matte varnished

Sold

Skull paw

400mm x 600mm x 700mm

Acrylic on carved timber form, matte varnished

Sold

Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Splashback

Acrylic on carved timber form, matte varnished

1200mm x 950mm x 250mm

Big Squig
Big Squig
Big Squig

Acrylic on carved plywood form, Matt varnished.

1400mm x 1450mm x 300m

Big Squig

Acrylic on carved plywood form, Matt varnished.

1400mm x 1450mm x 300m

Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Pedestrian

Acrylic on carved timber form, matte varnished

700mm x 450mm x 300mm

Cadmium orange

Acrylic on carved timber form, matte varnished

650mm x 400mm x 350mm

Cadmium orange

Acrylic on carved timber form, matte varnished

650mm x 400mm x 350mm

Cadmium orange

Acrylic on carved timber form, matte varnished

650mm x 400mm x 350mm

Dream on

350mm x 650mm x 350mm

Acrylic on carved timber form, matte varnished

Dream on

350mm x 650mm x 350mm

Acrylic on carved timber form, matte varnished

Dream on

Acrylic on carved timber form, matte varnished

350mm x 650mm x 350mm

Shelving

Acrylic on carved timber form, matte varnished

460mm x 400mm x 200mm

Shelving

Acrylic on carved timber form, matte varnished

460mm x 400mm x 200mm

Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Trojan

Acrylic on carved timber form, matte varnished

900mm x 700mm x 400mm

Henry heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Malabar

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Malabar

Bush shots

Icebergs

500mm x 230mm x 350mm

Acrylic on carved timber form, matte varnished

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Henry Heads

Bush shots

Burnt umber I

Acrylic on carved timber vase, matte varnished

Waterproof membrane interior

280mm x 200mm x 330mm

Presenting a captivating documentation series that seamlessly integrates art with nature along Sydney's eastern coastline. Each sculpture, a unique expression in carved timber, becomes a harmonious part of its distinct environment.

These carved timber sculptures are not merely standalone art pieces but rather dynamic installations that respond to and embrace the diverse surroundings along the coastline.

The meticulous carving process imparts a distinctive personality to each sculpture, with intricate details that attempt to mirror and divulge the intricacies found in nature. The colors chosen are not only aesthetically pleasing but are also carefully selected to resonate with the coastal hues, creating a visual dialogue between art and environment.

The documentation captures the sculptures in various states, from the play of sunlight on their surfaces during different times of the day to the interplay of shadows that adds depth and dimension. These images encapsulate the sculptures as they interact with the changing moods of the coastal landscape, highlighting the versatility and adaptability of the carved timber forms.

This series seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment. The juxtaposition of the meticulously carved timber against the ever-changing backdrop of Sydney's eastern coastline invites viewers to appreciate the transient beauty of these installations, perpetually evolving alongside the environment they inhabit.

Artist Residency: The Pickers Hut

Grassy

1150mm x 1000mm x 12mm

Acrylic on carved timber board, matte varnished

A wall relief made and photographed in Tasmania. This work is made from the leftover material from some sculptures I've been laminating together.

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut

On the way to the Franklin River

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut

Workshop shots

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut

Progress shots

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

Artist Residency: The Pickers Hut

Entwine

1250mm x 1600mm x 12mm

Acrylic on carved timber board, matte varnished

A wall relief made and photographed in Tasmania. This work is made from the leftover material from some sculptures I've been laminating together.

In August 2023 Lesjak-atton attended a three week residency at the ‘Pickers hut’ in Tasmania’s Huon valley courtesy of Artist and sculptor Matt Calvert.

In this time period i was able to explore, play and create a series of carved and painted timber sculptures, each work is constructed by building up layers of laminated plywood that is then freeform carved with an angle grinder and then primed and painted.

This series of works created seeks to celebrate the marriage of artistic creation with the natural world, showcasing how each sculpture becomes an integral part of its environment.

https://resartis.org/listings/the-pickersea-hut-glaziers-bay/

http://mattcalvert.com.au/

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